Review: ‘All These Countless Nights’ – Deaf Havana

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Review: ‘All These Countless Nights’ – Deaf Havana

James Witherspoon is unimpressed with Deaf Havana’s new album All These Countless Nights.

 

Wasn’t 2005 12 years ago? Apparently not, according to Deaf Havana, whose latest album All These Countless Nights sounds more akin to a 14-year-old girl’s unicorn-filled dream reverie than a work that we can actually take seriously. Speaking of which, where did that title come from – it makes literally no grammatical sense?

Opener Ashes, Ashes is reminiscent of the worst excesses of 30 Seconds to Mars – stale pop-punk-esque chords mingling with vocals that don’t quite know whether to scream or stay contained. It’s a member of that specific type of modern muzak – the kind of thing that plays in the background of a mid-range hairdresser, or in the less favourable hours of Radio 2. Certainly nothing that I would have thought a) to be commercially successful in 2017, or b) critically successful in 2017. It occupies the same lands as modern Nickelback – nobody really wants it there or knows why it exists.

Trying to talk about the rest of the album as a series of defined tracks is something I find nigh on impossible… because, in all honesty, there’s so little variation in the song-writing that the album blends into a tasteless mush. Sure, it veers from Passenger-lite (Happiness) to Twin Atlantic-esque (St Paul’s) – but these bands all sound the same anyways, and there’s literally nothing that stands out. Case in point: side by side tracks Pretty Low and England, actually sound as if they are the same track. Skill wise, there’s a pretty good guitar solo (it’s not incredible, don’t get your hopes up) on Like a Ghost, but that’s about it. There’s no sonic risk taking – nothing exciting, nothing new, nothing to really love. Surely, even the album’s biggest fans (if they were to exist) can only passively enjoy it rather than actively listening?

It sounds, to be honest, that Deaf Havana are doing their best to sound like a carbon copy of Biffy Clyro – another band with absolutely no artistic merit at all. Everything from the vocal style, to the faux-grande chording, and weird meaningless lyrics (I held the gun but you pulled the trigger and we watched it all go”) smack of a lack of ideas. It’s catchy like a night of blackout drunkenness – it’s a little fun at the time, but in the morning you won’t remember a thing. Only two hours after my listen, I can’t recall a single melody.

So, what is it actually good for? Perhaps, just perhaps, if you were looking for a piece of music that you wouldn’t have to actually listen to – inoffensive background tunes for the world’s most uncool house-party, or infuriatingly grating ambient noise for an 8-year-old’s birthday – then there’s a chance that All These Countless Nights might be for you, which probably means that it’s not for very many people.

 

Featured Image: Chuff Media

Review: ‘All These Countless Nights’ – Deaf Havana Reviewed by on January 30, 2017 .

Look away Deaf Havana fans, James Witherspoon is unimpressed with new album All These Countless Nights.

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3 COMMENTS

  • DQ

    You must be pretty amazingly talented to feel comfortable enough about criticising this album. Firstly, if you know you don’t like music like this. Why listen? If you say ‘it’s my job’, then it’s time you found a new one. This isn’t music journalism it’s an attack on someone’s work without any insight or interesting comparisons. I’m not sure who died and made James Witherspoon an authority on music. I’d be interested to hear what you have brought to the world musically.

    • MUSE

      Hi there,

      I’m afraid this is simply the nature of reviews and discussing art in general: it comes down to your personal subjective perspective. We are not proclaiming this to be fact or universal truth otherwise it would be in the NEWS section.

      James is not professing to be an authority on music – he is merely expressing his opinion. It is not his job, but something he does voluntarily and in our opinion does very well. James offers insight and detail (‘stale pop-punk-esque chords’ for example) into the music and so justifies why he feels it is poor quality.

      You would equally be very welcome to write a counter-review praising the merits of the album.

  • Terry

    This guy honestly sounds like the type of guy that watches Rick and Morty and thinks he’s oh so smart for understanding the jokes and then goes onto reddit to complain that girls don’t like “nice guys”. Doesn’t even seem like he’s interested in reviewing the album, looks like he’s just out to complain and bash the album. Honestly makes this review hard to take seriously. He doesn’t even justify why he dislikes the album he just throws out some groan worthy half hearted insults.

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